Wabi-sabi is a beauty of things imperfect, impermanent, and incomplete.
It is a beauty of things modest and humble.
It is a beauty of things unconventional.
“…Like many of my contemporaries, I first learned of wabi-sabi during my youthful spiritual quest in the late 1960s. At that time, the traditional culture of Japan beckoned with profound “answers” to life’s toghest questions. Wabi-sabi seemed to me a nature-based aesthetic paradigm that restored a measure of sanity and proportion to the art of living. Wabi-sabi resolved my artistic dilemma about how to create beautiful things without getting caught up in the dispiriting materialism that usually surrounds such creative acts. Wabi-sabi–deep, multi-dimensional, elusive–appeared the perfect antidote to the pervasively slick, saccharine, corporate style of beauty that I felt was desensitizing american society. I have since come to believe that wabi-sabi is related to many of the more emphatic anti-aesthetics that invariably spring from the young, modern, creative soul: beat, punk, grunge, or whatever it’s called next…”
Leonard Coren, Wabi-Sabi for Artists, Designers, Poets & Philosophers (1994)